READ THE SCRIPT HERE
Read my EDP Weekend feature on Anne Boleyn and Blickling Hall here
ROOM AT THE GIN PRODUCTIONS presents
TOM AND HARRY
by Gareth Calway
with a second half of historical poems and monologues.
In May 1536, a Norfolk-bred Queen of England was beheaded for treason... She lost her heart to one man and her head to another.
starring Steve Knowles - East Enders, The Bill, Casualty, London’s Burning, Prime Suspect - as King Henry VIII
Gareth Calway - ‘a triumph of narration and vocal colour’ Radio reviews; ‘wholesome, strong and to my tastes," (Ted Hughes) - as Sir Thomas Wyatt.
Poster sponsored by Witley Press, Hunstanton.
Radio Norfolk interview about the play and tour here,
Three hours and 7 minutes in
MAY 3. Première at the Gin Trap Inn, Ringstead, 8 pm Ticket info 01485 571828 £7.50 includes glass of wine
The tour kicks off in 'the Room' at the Gin and what with Jane and Brian of Folkspot recording it, a decent sized audience and a fair amount of props, amps and cameras whirring, it was a bit cosy. An audient (I won't embarrass Dave Cooper by naming him) joined the show as I has half way into my second speech, establishing a tradition and causing a slight irregularity in the sonnet's iambic pentametre Steve terrified me with the 'evening with King Henry' Tudor gangster performance of the speeches - and I wrote them - so God knows how the front row felt.
May 24 The Village Hall, Elsing (near Dereham)£7.50 Bar.
This was the gig of the tour: a storming Tom and Harry with 51 people watching followed by a 7 Losers honed and wired to perfection, selection, sequencing and intros included. I took the shine off the new ball and knocked forty plus and then Steve swung the mighty willow through the dewy air and smacked an awesome century off a dozen overs.
REVIEW: LOTS OF HISTORY AS CAST SERVES UP A REAL TREAT AT VILLAGE HALL
The village hall at Elsing was full for the performance of 'Tom and Harry' (a clever play on the expression 'every Tom, Dick and Harry') common enough names even today but this Tom and Harry were none other than Sir Thomas Wyatt and King Henry VIII. The play focused on the tempestuous time in Henry's reign when he was trying to trump up charges to rid himself of his second wife, Anne Boleyn, and accused Wyatt, amongst others, of being her lover. The evidence for this accusation is thin, based mostly on Wyatt's love poems (which weren't published in his lifetime) but the fact that Wyatt survived and Anne's other supposed lovers were executed suggests that he either wasn't as easy to frame as the others or could prove his innocence.
Playwright Gareth Calway was a very genial 'Tom', narrating Wyatt's version of events in period costume without creating the dramatic fiction that he actually was Wyatt. This friendly collusion with the audience created an intimacy which encouraged the audience to join in and Calway handled these interpolations with aplomb. He also read extracts of Wyatt's poems, which could be interpreted as having been written for or about Anne and read them extremely well – it's hard to read poetry out loud but Calway could have given a master-class in it.
Hear these poems and Anne's dialogue with them here
Henry himself (a charismatic Steve Knowles) came on stage half way through to give his own interpretation of the same events and was a powerful and mesmeric presence, despite wearing what looked like a lady's slip! He very convincingly portrayed a king at once menacing and vulnerable, credulous and fatalistic. Henry's decidedly dodgy self-justification never became whiny thanks to Knowles’ dominant stage presence and excellent almost challenging eye-contact with the audience – he maintained the fiction of actually being Henry and no-one in the audience dared join in this time!
It was a shame that Anne was only present as audio although this disembodied voice did help with the impression that she was a ghost and did give her the opportunity to add a third dimension to this tragic story.
The second half was presented by Calway as himself in modern dress (the ubiquitous jeans and teeshirt) and was a mixture of engaging romps through notable 'failures' of history and his own very evocative poetry, which, again, he performed extremely well. The contenders for biggest 'failure' in history ranged from poor King Ethelred the Unready to English football and the audience was invited to vote on which was the biggest 'failure'.
Altogether a diverse and most interesting evening's entertainment with excellent actors and light musical accompaniment – if you get a chance to see this production, I would highly recommend it.
Dereham Times 6/6/13
Review by Gretel Hallett following the performance on Friday 24th May 2013.
July 24: The Boneyard Field, SHARP, Sedgeford 8 pm Ticket (£12) and info 01485 571828 and SHARP 07804885010. Includes a Tudor banquet:
Hunks of Bread (v)
Roasted Chicken and pork
Salat (Herb Salad) (v)
Ember Day Tart (v)
Pease Pottage (v)
Spinach Tart (v)
Stuffed Eggs (v)
Selection of Cheeses
Lechemeat (Date and Ginger Sweetmeat) (v)
Marigold Tart (v)
Knotted Biscuits (v)
Twelfth Night Ginger Bread (v)
Pety Pernautes (v)
Red and White Wine
Link to Lynn News story here: http://www.lynnnews.co.uk/what-s-on/lifestyle-and-leisure/tom-and-harry-give-a-taste-of-tudor-times-in-sedgeford-1-5344884
I did my opener's bit and Steve once again smacked his century off very different bowling in a very different stadium. My second innings in 7 Great Losers - again a little delayed - included a tribute to our British Wimbledon champion Andy Murray and was palpably enjoyed by all. One of the great summer evenings.
Review and pictures here: http://blog.sharp.org.uk/
The second half for these first three shows was:
ETHELRED THE UNREADY FOR ANYTHING
Seven Great Losers of British History written and performed by Gareth Calway
AND THE FOURTH SHOW OF THE YEAR...
Tom and Harry at Marriott's Warehouse, South Quay, King's Lynn, Nov 28
with a new amplification of Anne's voice, on a slightly ghostly setting.
And a new Part 2 - It All Comes Out In The Wash, dramatic poems with a Norfolk connection written and performed by Gareth Calway
Job done in terms of establishing us in this new venue. The vote of thanks from Mariott's Warehouse Chair Dr Paul Richards approvingly quoted the line about modern England being born then even though a surviving male heir for Henry Tudor wasn't. I for one was sorry this show ended after four gigs but they were four great nights and it was a privilege to be in a two hander with Mr Knowles.